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Dakshinamurthy Stotram — Benefits & How to Chant

दक्षिणामूर्ति स्तोत्रम्

Complete guide to chanting correctly for maximum benefit

Benefits of Chanting Dakshinamurthy Stotram

One of the supreme philosophical hymns of Advaita Vedanta, composed by Adi Shankaracharya in ten verses (with a dhyana and closing verse)

Worships Shiva as Dakshinamurti

the ever-youthful, silent Guru who teaches the highest truth through silence (mauna)

Reveals the heart of Self-knowledge: that the whole universe shines within one's own non-dual Self, like a city reflected in a mirror

Recited by seekers of jnana (knowledge) and meditators, especially on Guru Purnima, on Thursdays and during contemplation

Its closing verse promises that hearing, reflecting on, meditating upon and chanting it bestows the glory of Self-realization and liberation (moksha)

A beloved text of the Vedanta path, cherished alike by teachers and students

How to Chant Dakshinamurthy Stotram

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Repetitions
1 times
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Best Time
Early morning during meditation; especially on Guru Purnima and on Thursdays

Instructions

Sit quietly after a bath, facing east or before an image of Dakshinamurti. Recite the dhyana verse, the ten verses and the closing verse slowly, pausing to reflect on the meaning of each — for this stotram is itself a contemplation. It is traditionally taken up by seekers of Self-knowledge and is especially honoured on Guru Purnima as a salutation to the Adi-Guru.

Origin & History

Source: Composed by Adi Shankaracharya

Author: Adi Shankaracharya

The Dakshinamurthy Stotram is one of the most celebrated philosophical hymns of Adi Shankaracharya, the great teacher of Advaita Vedanta. It contemplates Lord Shiva in the form of Dakshinamurti — the silent Adi-Guru seated beneath the banyan tree, who instructs the eldest of sages in the knowledge of the Self through silence alone. In ten luminous verses Shankara unfolds the vision that the whole universe is but a reflection within one's own non-dual consciousness, appearing outside through maya as a dream or a city seen in a mirror, and that realizing this one Self is liberation. The hymn is framed by a dhyana (meditation) verse and a closing salutation.

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